Brandi Maxwell is living the dream as an intern at prestigious New York fashion house Simon Van Doren. Except “living the dream” looks more like scrubbing puke from couture dresses worn by hard-partying models and putting up with microaggressions from her white colleagues. Still, she can’t help but fangirl over Simon’s it-girl daughter, Taylor. Until one night, at a glamorous Van Doren party, when Brandi overhears something she shouldn’t have, and her fate becomes dangerously intertwined Taylor’s.
Model and influencer Taylor Van Doren has everything…and is this close to losing it all. Her fashion mogul father will donate her inheritance to charity if she fails her next drug test, and he’s about to marry someone nearly as young as Taylor, further threatening her stake in the family fortune. But Taylor deserves the money that’s rightfully hers. And she’ll go to any lengths to get it, even if that means sacrificing her famous father in the process.
All she needs is the perfect person to take the fall…
- Release Date: December 27, 2022
- Narrators: Shayna Small & Brittany Pressley
- Audio Length: 10 hours, 8 minutes
- Publisher: Harlequin Audio
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BRANDII had a ton of illusions, vivid fantasies of what it would be like to score a coveted internship at Van Doren. Deluded old me thought I would be strutting around the stunning tri-story headquarters in single-soled heels, flitting from design concept meetings to on-location photo shoots, living my best fashion-girl life. Instead, I’m in the back corner of the two-thousand-square-foot ready-to-wear samples closet scrubbing fresh vomit from a slinky gown worth double my rent during my lunch hour.
Italian Vogue’s current cover girl borrowed the hand-sewn dress for a red-carpet event last night, and apparently getting it back on a rack without ruining it was too much for one of the other interns to handle. She was so hungover when she came to the office this morning that she vomited all over the dress before making it out of the elevator. But of course this dress needs to be ready for another model to wear to some big extravaganza tonight, and since I’m the designated fuckover intern, I have to clean it by hand because the satin-blend fabric is too delicate to be dry-cleaned.
This is what it takes.
I chant this to remind myself why I’m here as the lactic acid builds up in my biceps. Working for Van Doren has been on my proverbial vision board ever since I reluctantly gave up the idea, in middle school, that I could be Beyoncé. It’s a storm of hauling hundreds of pounds of runway samples around the city and sitting in on meetings with the sketch artists. A glorious, next-to-holy experience when I’m on duty at photo shoots and one of the stylists sends me to fetch another blazer, not a specific blazer, which means I get to use my own vestiary inclinations to make the selection. Which has only happened once, but still.
Just as I get the stain faded by at least seventy percent, I hear the sharp staccato of someone in stilettos approaching. I turn around and see Lexi. Lexi with her bimonthly touched-up white-blond hair and generous lip filler that she’ll never admit to having injected. When she steps closer in her head-to-toe Reformation, I am grateful that I remembered to put on a few sprays of my Gypsy Water perfume. The one that smells like rich people. But the way she’s staring at me right now, it’s clear that no matter how much I try, I am still not on her level. I do not fit in here. She does not see me as her equal, despite the fact that we are both unpaid, unknown, disposable interns. It’s become glaringly obvious that at Van Doren, it’s not actually about what you contribute, but more about how blue your blood is. Lexi doesn’t even know my name, though I’ve been here a solid nine weeks and I’m pretty sure I’ve told her at least a dozen times.
I’m already on edge because of my assignment, so I jump in before she can ask in her monotone voice. “Brandi.”
“Right,” she says, like she does every time yet still forgets. “Chloé wants the Instagram analytics report for last week. She said she asked you to put it together an hour ago.”
Which is true, but completely unfair since Jenna from marketing also asked me to run to Starbucks to buy thirty-one-ounce cups of liquid crack for her and her entire department for a 9:00 a.m. meeting, an effort that took three trips total, and technically I’m still working on the data sheets I promised Eric from product development. Not to mention the obvious: getting rid of the puke from the dress.
“I’m still working on it,” I tell her.
Lexi stares at me, her overly filled brows lifted, as if she’s waiting for the rest of my excuse. I understand her, but also I’m wondering how she still hasn’t realized this is not a case of Resting Bitch Face I have going on, that I am actually intolerant of her nagging.
Normally, I am not this terse. But nothing about today has been normal. Since this week is my period week, I’m retaining water in the most unflattering of places and the pencil dress I’m wearing has been cutting off the circulation in my thighs for the past couple of hours, and being that I’ve spent most of my break destroying the evidence of someone else’s bad decisions, it is not my fault that I’m not handling this particularly well.
“I’ll send it over as soon as I’m done,” I say to Lexi so she can leave. But she doesn’t.
“HR wants to see you,” she says with what looks like a smirk.
My mouth opens. I have no idea what HR could want, and although I’m still new to this employee thing, I know this can’t be good.
“Like, now,” Lexi barks and pivots away in her strappy, open-toe stilts.
I hang the sample next to the door, and before I leave the room I pause to briefly take in the rest of the dresses stuffed on the racks, each one in that chic, elevated aesthetic that is the cornerstone of Van Doren. This is my favorite part of the day, the chaotic nature of this room a little overwhelming but also inspiring, and I can’t wait for the day that this is my world, not just one I’m peeking my head into. A world in which I command respect.
I cross through the merchandising department, where everyone has their own private office with aerial views of Hell’s Kitchen, Soho and the Garment District, and then move through the maze of the sprawling suite in a mild sort of panic until I remind myself that I have done nothing wrong. Ever since spring semester ended, I’ve been putting in more hours than the sun. I slip in at six-thirty when the building is dark and vaguely ominous, my eyes still puffy with sleep, and when I finally drag myself into the elevator at the end of the day, it’s just as black and quiet outside. I religiously show up in current-season heels despite the blisters, albeit mass-produced renditions of the Fendi, Balenciaga and Bottega Venetas the other summer interns casually strut around in, and mostly stick to myself. I am careful about raising my voice, even if I vehemently disagree with my neurotic supervisor. I keep my tongue as puritanical as a nun’s, even when fucking incel or coddled narcissistic bitch are on the tip of it. I’m not rude or combative. I stay away from gossip. I complete all my tasks with time to spare, which is usually when I check Twitter and help out some of the other interns, even though I’d rather FaceTime Nate in the upstairs bathroom with the magical lighting. I even entertain the gang of sartorially inclined Amy Coopers in the making who insist on obnoxiously complaining to me about all of their first-world, one-percenter problems. I’ve done nothing but consistently given them reasons to think I am a capable, qualified, talented intern who would make an exceptional employee.
I have nothing to worry about.
When I knock on the door to Lauren’s office, she looks up from her desk and waves me in through the glass. I have a feeling this will not go my way when I see that my supervisor, Chloé, one of the more amiable assistants, is also here, fiddling with her six-carat engagement ring in the corner and avoiding eye contact.
“Have a seat, Brandi,” Lauren says, and I tell myself to ignore that her bright pink lipstick extends above her lip on one side.
There is no small talk. No hello or how’s it going? Under alternate circumstances, I would feel slighted, but because I’m growing more anxious by the second, I’m grateful for her smugness.
As I sit down, Chloé shifts in her chair, and I speak before she can. “I’m sorry. The Instagram report is at the top of my task list. I’ll definitely have it to you before I leave today. I just—”
“That’s not why you’re here, Brandi,” Lauren interjects.
“Oh.” I pause, and as she glances down at her notes, I try to make meaningful eye contact with my supervisor, but she is still actively dodging my eyes.
Lauren begins by throwing out a few compliments. My work ethic is admirable and I have great attention to detail, she says, and the whole time my heart is pounding so loud, I can barely make out most of her words. Chloé jumps in to effusively agree, then Lauren finally stops beating around the bush and looks me directly in the eyes.
“We just don’t feel like you’re fitting into the culture here at Van Doren.”
Every word feels like a backhanded slap across the face, the kind that twists your neck and makes the world go still and white for a few disconcerting moments, like an orgasm but not like an orgasm. It’s obvious what they mean, yet can’t quite bring themselves to say.
They just don’t like that I’m black.
They don’t like the way I wear my braids—long and unapologetic, grazing my hips like a Nubian mermaid.
They don’t like that I’m not the smile-and-nod type, willing to assimilate to their idea of what I should be, how I should act.
That’s their code for we-can’t-handle-your-individuality-but-since-we-don’t-want-to-seem-racist-we’ll-invent-this-little-loophole.
Black plus exceptional equals threat.
“If we don’t see any improvement in the coming weeks, we’re going to have to let you go,” Lauren says with no irony, her mouth easing into a synthetic smile.
I blink. I cannot believe this is happening right now. It wasn’t supposed to go like this, my internship at Van Doren, the one fashion company whose ethics align with mine. I wasn’t just blowing smoke up Lauren’s ass when I interviewed for this job, though I was looking at her sideways, wondering why she had not a stitch of Van Doren on. I’d splurged on a single-shouldered jumpsuit from this year’s spring collection that I couldn’t really afford just to impress her, while she hadn’t even felt the need to represent the brand at all as she shot out all those futile questions interviewers love propelling at candidates, I’m convinced, just to see them squirm. Even minuscule amounts of power can be dangerous.
This is bullshit, being put on probation, and I’d give anything to have the balls to call them on it. As I sit here paralyzed, Lauren’s words reverberate in my head and I rebuke them, want to suffocate and bury them.
Q & A with Amber and Danielle Brown
Why, out of all genres have you chosen to write thrillers?
Thrillers have always been our favorite genre to watch and read since we were kids. We consume a ton of them, more than any other genre. We noticed that there aren’t a lot of thrillers on the market that actually target our demographic, especially ones written by black people. A lot of the more recent books by black authors seem to be trauma-filled stories, most with a dramatic twist that ultimately deals with racism, which isn’t a criticism, but simply an observation; it‘s rarely simply a fun and exciting story. We just wanted to help fill that gap by writing a fun, sexy, addictive story set in a fun, exciting world, one that would resonate with our generation.
How did you come up with the idea for your novel?
From the start, we really wanted to write a thriller set in the fashion world that was told from the outsider’s point-of-view, because that’s essentially who we were when we worked in fashion. Right away, we had this idea of a deceptively beautiful world filled with deceptively beautiful people that we really wanted to explore. That’s how we came up with Brandi’s character. Taylor’s character was a natural progression—the almost obnoxiously privileged heiress who, from the outside, is exactly where Brandi wants to be.
Have you ever actually scared yourself by what you’ve written?
Hm. Not yet, as most of our concepts have been psychological and we generally have a high tolerance for spooky things. But stalking and home invasions are tempting and definitely scary.
What’s the scariest experience you’ve ever had? …wrote about?
The scariest experience we’ve ever had was when we decided to take a Spring Break trip to Milan while we were studying abroad in London. After a disastrous 12-hour journey there—we showed up at the wrong airport and had to book another flight, then got lost in Milan trying to find our tiny hostel on foot because we couldn’t afford a taxi. We finally arrives at the hostel at midnight and were taken up to our room in a rickety, iron-doored elevator like the kind in Titanic, and in the middle of the room there was a toilet and a shower stall. To top it all off, a huge man walks in and approximately two seconds after realizing we—two single young women with no cell phones (couldn’t afford an international plan)—were to share the room with him alone, we risked our lives in that elevator to go back down to the front desk and requested our money back. After placing our accents, the man behind the desk was curious about where we were from and when we mentioned our hometown, he goes, “That’s where I’m from too!” It’s true, Newark, NJ has a healthy Italian population, but it was too Twilight Zone-ish for us and we took the first flight back to London as soon as he gave us our money back.
About the Authors
Amber and Danielle Brown both graduated from Rider University where they studied Communications/Journalism and sat on the editorial staff for the On Fire!! literary journal. They then pursued a career in fashion and spent five years in NYC working their way up, eventually managing their own popular fashion and lifestyle blog. Amber is also a screenwriter, so they live in LA, which works out perfectly so Danielle can spoil her plant babies with copious amount of sunshine.
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